The most common question I get asked by audiences after my show is “how do you DO that?”
Of course, that’s a question I’m trying to answer in the show. I’m demonstrating, as much as I can, how I do it. I guess if I had some kind of high-tech surgical micro-camera, I could show precisely how I change the inside of my face and throat, but then, even I don’t know exactly what I’m doing.
Physically, I’m flexing ligaments, closing off airways, restricting breath, pinching, opening, tightening and loosening a lot of mysterious things in my head, throat and chest, all of which have unfamiliar Latin names.
But it is like asking a professional athlete which tendons he runs with; he probably doesn’t know and won’t care until one snaps and puts him on the bench.
The most important thing to me is viewpoint. When I am familiar enough with a famous person to be able to adopt their point of view, then I am getting somewhere. That’s also the most interesting part.
We all get used to a artist’s viewpoint by being exposed to their ideas and thoughts thru writing, visual art or performance. In the case of a close relative, or people we spend years with, we understand their viewpoints very well- sometimes even to the extent that we don’t recognize that we have started looking at the world thru THEIR eyes more than our own. (see Dianetics, The Modern Science of Mental Health.)
In the case of a world famous celebrity, we often know “all about them” from the opinions and comments of others, as much as from what we’ve heard or seen them do on TV or in films. This of course is complicated by the fact that actors (and quite a few politicians) are generally pretending to be someone or something different from who they really are.
People are often surprised by what they discover when they actually come into direct personal contact with a famous person–they aren’t what they seemed like on the big screen.
So, even viewpoint is a bit of a conceived thing. Yet to communicate a star’s personality, impressionists draw upon what we all are familiar with to create a duplication which we call an “Impression”.
The vocal aspects of the performance are actually secondary, but also very important.
In my case, I can hear the voices I do in my mind, and also feel where the sound would have to come from, were I to try and match those sounds. It’s entirely mental at that point.
Usually an impression for me starts there, listening to a recording I have made in some file in my mind, and determining if it bears enough similarity to tones I know I can produce, to pull off a reasonable copy.
Unlike most people, I get about half a dozen requests or opportunities a day to see if I can match the vocal quality of another person. After about thirty years of playing that game, I’m very familiar with what I can do, and what I can’t.
I’ve also been very fortunate in my life to meet and become friends with people from countries all over the globe, so I have a passing familiarity with a lot of accents and dialects. (I envy my friends, like the brilliant Phil Proctor) who have taken the same opportunity and actually learned lots of languages; an infinitely more useful use of time.)
I’ve also worked beside many amazing voice actors, who love to share their newest voice, or some perennial favorite; you can extrapolate a lot from the changes you observe another making to create a sound.
So, here’s what I do- I listen, adopt the viewpoint, then feel where the sound might be coming from, then I try to make the sound. Maybe one word, maybe a short sentence. Then more, as needed.
Usually it doesn’t take too long to get the “DNA” of the voice.
And I can either get it quickly or not. If I don’t feel it’s in my range, or if I don’t yet have the knowledge, in the case of an accent with specific rules, then I either do an intensive study or I put in on a back burner.
And that’s about it.
Performing it for YOU is another exercise, and requires taking all that I have learned about show business, which generally boils down to “practice, practice, practice.” Even the videos I do with my JIMPRESSIONS require a lot of rehearsal to make them look effortless to you.
If I can hear it in my head, I can usually, eventually, perform it for you. And I look forward to it!
Any other questions?
By the way, I will be performing in 2013 in various venues and countries, but generally I will be in Hollywood at The Acting Center every first Saturday of each month, at least until June. Hope to see you somewhere!