SPEED OF DELIVERY
When you are developing a celebrity impression, or any character, one little thing to look at is speed of communication.
Not everyone speaks at the same rate, or processes information at the same speed.
Some personalities are as fast as a greyhound, others, as slow as a slug. Some, like Harold Camping, who famously predicted the end of the world in July and then again in October of 2011, are almost too slow to effectively imitate; no one will sit through the impression.
Sometimes that has to do with age or education, sometimes it’s just some factor resident in the personality of the individual themselves.
If you study early American movie stars, they generally have a much quicker rate of exchange in their communication than their modern counterparts. My theory is that Americans were in better shape physically and mentally back in the 1930’s and 40’s. They were more decisive and more used to dealing with others face to face than in modern times. They were more literate and relied less on automation to get things done. They were, arguably, more social.
Audiences, too were therefore more able to understand and absorb rapidly spoken language, as they too were more literate and educated than the audience of today.
There also might have been a financial consideration from the studios; they might have been guilty of trying to pack in the most dialogue in the smallest amount of time, to bring movies in at a little over an hour, so that more showings could be scheduled.
Who the Hell knows?
All I know is, listen to someone like Jimmy Cagney, Rosalind Russell or the blisteringly fast talking Noel Coward in films from that period, and then you try talking that fast.
It’s a challenge.
The only reason I bring it up is to get you to take a look at the speed at which your target celebrity delivers his or her dialogue. It will have everything to do with making your impression accurate.
Are they slow and methodical, like John Malkovich, or relatively rapid, like Martin Scorcese or Dennis Hopper? What is the general speed of that actor or character?
It’s sometimes easy to get excited onstage and whip through your voices quickly in your enthusiasm, but you might be missing a critical element in the rendition of that persona.
Break it down for yourself, compared to your own rate of speech, (and here you might do well to actually record yourself and see how quickly you talk compared to others– damn, I really hope you did that step back in Chapter Two) and see if that reveals anything to you.